![unfinished-photography:
Lee Friedlander, Maria Friedlander
“When Richard B Woodward wrote on Lee in the November 1989 Artnews, he referred to a photograph from 1970, taken in a Las Vegas motel room of me standing in a block of light against a dark wall, with Lee’s shadow imposed on my body. For him the picture read ‘as… a portrait of a marriage in which [Lee’s] photography has overshadowed both their lives.’ In a way, all of these photographs, not just that one, were formed because photography did indeed overshadow all four of our lives.”
— Maria Friendlander in her foreword to Lee Friedlander’s Family
Via Alex Soth. More in On Marrying a Photographer.](http://25.media.tumblr.com/tumblr_lxo78ebJyv1qz84edo1_500.jpg)
Lee Friedlander, Maria Friedlander
“When Richard B Woodward wrote on Lee in the November 1989 Artnews, he referred to a photograph from 1970, taken in a Las Vegas motel room of me standing in a block of light against a dark wall, with Lee’s shadow imposed on my body. For him the picture read ‘as… a portrait of a marriage in which [Lee’s] photography has overshadowed both their lives.’ In a way, all of these photographs, not just that one, were formed because photography did indeed overshadow all four of our lives.”
— Maria Friendlander in her foreword to Lee Friedlander’s Family
(Source: homeofthevain)
Reblogged from Unfinished Photography by Román Yñán.
February 05, 2012, 12:27am Comments
